The Nonexistent Moonlight in the Moonlight Song
Xiao Shi discovered some changes in his body after his breakthrough yesterday.
For example, he could enter the state of selflessness and devotion faster than usual. For example, the effect of cultivation was at least doubled when he used the same breathing method for the same song. For example, his emotions could match the emotions of the piano piece faster, and it felt more smooth and natural when he played it…
Of course, this was not the only change, but it was the most obvious one.
When he played the piano at night, he rarely played those difficult piano pieces. Usually, he would mainly play songs with a fast rhythm and beautiful melody. He would even play some songs with a passionate rhythm. Of course, if it was a song like " Bell ", although it was a little difficult, it was not a problem.
At this moment, I am playing Chopin's Serenade. It is a very beautiful piece. Even those who don't know how to appreciate the piano can still listen to it.
When the song was over, Yuriko Takagi's voice rang out,""Xiao, play that 'Moonlight Melody' for us. I don't feel as good listening to it in the recording as listening to it live. Yesterday, when you played it, we all fell asleep. Now, I'm very awake.
Takagi turned around and looked at Yuriko and Aoi, who had already walked to the sofa and sat down peacefully. He nodded but did not say anything.
In fact, he was starting to feel like he was about to be exposed. His damn lie would soon be exposed. Although " Moonlight Song " was called Moonlight Song, it was only because the beginning adagio made people feel like they were looking at the mottled moonlight on the river. The original name of the Moonlight Song was "#C Minor No. 14 Sonata ". The sadness in it had never subsided from the beginning to the end. As long as he started playing it, it would definitely attract the attention of Yuriko Takagi. Although a lie could deceive her, how could it deceive her forever? She was such a young child, how could she have such complicated feelings, fantasies, expectations, uneasiness, sadness, and even an unyielding struggle against fate? Was this really something that a child could write? Who would believe that!
Fortunately, when he lied, he had already thought of a way to beat them at their own game. He had been bearing the impending disaster alone, but because he was too young, there was nothing he could do. If he told them about his situation appropriately, or even if he could attract the attention of Takagi Yuriko, he would be fully prepared to face the disaster that was bound to come. He might be able to calmly face the future disaster.
The beginning of the first movement of " Moonlight Song " was filled with fantasy and hope. In fact, it was just like Takashi Komuro's mood. When he first saw the appearance of the zombie disaster, Takashi Komuro also hoped that it was just a dream. After that, he saw it again and again, which made his expectation become uneasy. If he did not have 120 years of experience, how could a child bear such a nightmarish reality?
I took a deep breath and moved my hand.
The moment the music started, Takashi Komuro's emotions were completely integrated into the piano performance. It was not only the emotions of the composer that were unique to the music, but he also integrated his own true feelings into it. The confusion and fear of the unknown were also clearly displayed.
The gentle and melodious sound of the zither was like the beautiful scene of the quiet moonlight and the flowing river. The emotions in the zither were sometimes hopeful and sometimes disappointed, sometimes deep in thought and moaning, sometimes full of thoughts, sometimes sad and suspicious, and sometimes firm in faith. There was always a hidden danger and an ominous premonition. The whole movement was filled with sorrow and sorrow, as if it was the beginning of this serious relationship. The image of the whole heart being agitated and uneasy always appeared on the quiet and single tone background. It was as if his mood had taken a turn for the worse as he played the piano with his fingers.
Even as he played this song and listened to the music quietly, he thought of the dream he had foreseen. Under the beautiful and pure moonlight, the cherry blossom petals fluttered in the air. It was under that beautiful and pure moonlight that the zombies pounced on the living people who were fleeing in a sorry state and devoured them.
His fingers danced on the piano, and on the base tone supported by the descending octave, a series of weak triplets echoed in everyone's ears. This was the beginning of hope. The boundless moonlight shone on the water surface, presenting a gentle and beautiful scene.
As the beating notes triggered emotional fluctuations, the natural transition between E major and E minor finally wiped away the temporary hope in the heart. The rhythm of the long beat and the tight rhythm of the triad formed a sharp contrast. The emotional heart expressed was placed on the background of the continuous triad accompaniment. The emotions slowly became stronger in the sadness and despair.
There were three important writing elements running through the first movement: The coherent three-tone progression of the broken chords, the bass octave progression, and the hymn-like chord progression without any ups and downs in the voice created an ethereal, hazy, quiet, and sad atmosphere.
Perhaps they had already experienced the emotions in Komuro Takagi's heart. He could clearly hear the extremely suppressed sadness of Takagi Yuriko and Komuro Aoi. Whether this sadness was due to the emotions expressed in the song or the pressure that Takashi Koburo was under, it was really unknown.
The first movement of the Moonlight Melody, however, did not have any moonlight. Instead, it was covered by dark clouds. In the gentle and monotonous sound of the zither, the rich emotions were vividly portrayed.
After the completion of the first movement, there was almost no pause. The second movement sounded as a transition. The second movement was allegro in D-flat major, in compound ballad form. The entire movement was bright, cheerful, and lively, with elements of lively and humorous dance steps, forming a sharp contrast with the first and third movements.，The use of syncopation, the beating melody, and the unpredictable rhythm were just like a child's jumping temperament. They would muddle along and be at ease with the situation. If the sky collapsed, there would be an ostrich mentality. A child would constantly compromise in adversity and even become numb to obtain a temporary happiness. However, no matter how good a dream was, there would be a time to wake up. Reality would always face it! Self-deception and comfort were destined to not last long!
The short second movement ended. Presto, C-sharp minor, the third movement in sonata form came like a storm. Hope, expectation, numbness, self-indulgence, self-deception, and the pursuit of happiness would eventually turn into nothingness. Sadness seemed to be the end of everything, but people who were unyielding to fate could still rise up and fight. If they really went with the flow, the final result would only be destruction. After experiencing the beginning of hope, expectation, uneasiness, sadness, After despair, he finally had a conclusion. Fight! Only an unyielding struggle was the final conclusion!
As the last note of the zither came to an end, Takashi Komuro gently put down his hands. Finally, he had finally revealed everything. He was tired of bearing such sorrow alone.
He lowered his head, tears dripping down his cheeks. The passionate struggle of the third movement had been perfectly expressed, but he still could not control his tears.
Soft footsteps sounded behind him, and a pair of nimble arms hugged him tightly from behind. It was not Aoi Komuro, but Yuriko Takagi!
This book is provided by FunNovel Novel Book | Fan Fiction Novel [Beautiful Free Novel Book]