Ode to Pear Blossom was actually the theme song of the large-scale Peking opera, Imperial Concubine of the Tang Dynasty.
He used the Peking opera singing style of the Mei School, tactful and generous.
And the new imperial concubine was drunk.
Whether it was the lyrics or the arrangement, it was more towards pop songs.
The words were easy to understand.
Therefore, compared to the Ode to Pear Blossom, it lacked some charm.
However, it could not be denied that this was the reason why the song 'Drunken Concubine' had a wider audience.
In Ye Ziqing's previous life, the popularity of the song was even better.
There is no first in literature and no second in martial arts.
Ye Ziqing felt that there was no need to differentiate between different types of works of art.
However…
A song was a song!
Beijing opera is Beijing opera!
Perhaps there was a certain element in it, but he could not make a partial conclusion.
Ye Ziqing wanted to use this opportunity to let more people know.
Many of the songs that were labeled as opera tunes had little to do with the opera itself.
It wasn't even a falsetto, it was opera!
If this performance was so easy to sing, there would be no saying that a minute on stage was ten years of hard work off stage.
Very quickly.
Duo Erhong returned to Ye Ziqing's side, each hand holding a box.
Mao Qingsheng's eyes widened.
This box looked quite old. It was obvious that it was an old object.
Ye Ziqing placed the two boxes on the table and opened them in front of the old man.
Two instruments!
A light yellow Jinghu.
It was a white and round moon zither.
Mao Qingsheng's eyes were immediately fixed on the Hu Qin.
Hu Qin was also called Jinghu.
It was one of the three major parts of the Beijing opera.
The two instruments that Mao Qingsheng was most proficient in were the erhu and the Jinghu.
These two instruments were very different.
In fact, there was another instrument in the middle called the Jing Erhu.
To put it simply, the tone went from low to high, and the size went from big to small.
They were Erhu, Jing Erhu, and Jing Hu.
It seemed that all musical instruments had this characteristic.
The smaller the head, the louder the voice.
It was the same for the violin and the suona.
The erhu family was even more so.
The Jinghu was much smaller than the erhu.
In fact, the history of Jinghu was much later than that of Erhu.
Jinghu, Jinghu. This name was also derived from the accompaniment of Beijing opera.
The Jinghu in the box was very small.
It was only 50 centimeters.
A hundred days of flute, a thousand days of flute, a small Huqin broken waist.
Although this Hu Qin was small, it was not easy to pull it up properly.
However, this Jinghu was different from the erhu.
Due to the sound quality, the erhu was mostly used for ensembles or solos other than accompaniment.
On the other hand, Jinghu seemed to be born for Beijing opera.
Its high-pitched and special tone made it appear more often on the stage of Beijing opera.
As the number of people who sang and listened to opera decreased, so did the people who learned Jinghu.
Jing Hu, Jing Erhu, Yue Qin.
These three musical instruments were known as the three major pieces of the Beijing opera.
In Beijing opera, the musical performance of a duet was called Wenchang.
The three major pieces referred to the three main instruments used for accompaniment.
Mao Qingsheng, who had dealt with Jinghu for a lifetime, could not take his eyes off it.
His gaze was fixed on a very eye-catching mark on the zither barrel.
It was a single word,"Good"!
This Jinghu had a great background!
Generally speaking, the poles, barrels, and workers of Jinghu were all made of bamboo.
Plum, orchid, bamboo and chrysanthemum are the four gentlemen.
This bamboo attribute was the attribute of this Jinghu.
And among the traditional Chinese stringed instruments, the volume of the Jinghu was the loudest!
The greatest strength!
It had the strongest penetrating power!
The tone was unstoppable!
A good zither pole should be solid, full, and beautiful.
The handle of this Jinghu was the "One Line to the Sky" of the Purple Bamboo!
The shaft was made of high-quality ebony.
The bow was a single bamboo sword bamboo!
And Mao Qingsheng knew so much.
This was because there was a historical story in the Jinghu circle.
When Lord Qianlong celebrated his birthday, the four Emblem Troops entered the capital.
After that, the palace began to ring with a yellow tone.
There was once when she was singing an opera for Lord Qianlong, a zither player was playing a Jinghu when one of the strings broke!
Of course, this kind of thing would not happen now.
Like the people who accompanied the strings, in addition to the Jinghu in their hands, there would be an extra backup at their feet.
However, that zither player only had a Jinghu.
In the past, that would have been a huge crime!
Just as the ministers below were scared to death, the zither player did not change his expression and used a string to complete the accompaniment of the entire play!
After the performance, Lord Qianlong was overjoyed!
He said that he would reward the zither player heavily and asked the zither player if there was anything he wanted.
Who knew that the zither player didn't want gold and silver, nor did he want to be an official?
Those who said that they were singing on stage liked to hear those below the stage call them "good actors"!
Those who played the huqin liked to hear the audience call out "good strings"!
If it was possible, I hope that Lord Wansui would reward me with the word "good"!
Master Qianlong didn't say anything else and carved the word 'good' on the zither player's Jinghu zither cylinder.
The zither player thanked him profusely.
Not long after, the zither player suddenly fell ill and passed away.
Instead, this Jinghu was left behind.
Later generations named it "Imperial Good".
It was said that even the emperor would applaud when he heard this.
Mao Qingsheng felt that this qin was the one from history. It was because of the instrument that he knew a little about antiques.
Other than the material of this Jinghu, it was exactly the same as what was recorded in history.
Now, it was impossible to replicate it easily, but it was impossible to create such traces of time.
At the same time, the box containing the Jinghu seemed to be something from the palace.
The most important thing was…
Don't forget where Ye Chunlou's stage was.
This was the old Imperial Residence!
? But to confirm, Mao Qingsheng still asked carefully.
"What is this Hu Qin?"
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