After returning to the shop, I arranged for Hua Sheng and walked out of the door. I shouted that my friend was not willing to come out and meet me. I saw a figure appear in front of my door. It was a young man. The person said,"Are you Li Xiang?"
I nodded and said yes. That person continued to say that I'm from the Huashan Law Enforcement Hall. We want you to help us investigate a case. After the investigation, the Huashan Law Enforcement Hall owes you a favor. As long as it doesn't violate our principles, we can agree to attack ordinary people.
I quickly agreed. It was said that Mount Hua was the carrier of these stories, and the immortals were the image of these stories. The connection between the two formed a unique legendary culture-Huashan Mythology.
The Huashan myth contained the natural concept of the unity of heaven and man, and was also shrouded in a strong Taoist color. Its broad and profound cultural content, strange and bizarre romantic style, and profound and implicit ideas made it unique and charming in the vast literature.
In the Huashan scenic area, almost every scenic spot carried a mythical story. Wandering in it, you could enter a dream-like world of myths and legends. It could really be said that a cave was a world, a stone was a legend.
The Huashan mythology was rich in subject matter and content, and its aesthetic ideas were diverse. It was a colorful cultural treasure house. Some of them opened up the wilderness, moved mountains and guided rivers, and were magnificent and magnificent. Some were gentle like water, dreamlike, and beautiful. Some were beneficial to the world, unwilling to die, and noble. Some were compassionate, cruel, and shocked the world. Many of these myths were immortal classics of national culture that benefited future generations. The well-known "Lotus Lantern", the poetic "Blowing the Flute to Draw the Phoenix", and the whimsical "Giant Spirit Mountain" all flashed with the spirit of the nation.
Huashan mythology was an important part of Huashan culture and a precious national cultural heritage. Its further rescue, protection and development would greatly increase the popularity of Huashan and promote the formation of its local cultural industry advantage.
The Huashan Mythology had rich subject matter and had the characteristics of diverse thoughts. However, its main spiritual core was to advocate truth, goodness, and beauty and to carry forward the essential strength of human beings. It generally included
1. Reflects the concept of the unity of heaven and man. The typical stories were "Giant Spirit Mountain","Laojun Plough","Saihua Mountain","Nuwa Heaven Mending", etc. This kind of story reflected the simple concept of nature of the ancestors and had a strong romantic color. At the same time, it also reflected people's prayers and wishes for the transformation of the living environment. It contained the abstract national heroism spirit and was the most artistic part of Huashan mythology.
Secondly, it was a song that praised the intrinsic strength of a persevering person. The typical stories were "Kuafu Chasing the Sun","Hezu Digging a Cave","Bi Yuan Digging the Canglong Ridge","Finding the Key to the Cave", etc. This kind of story was the portrayals of the national spirit with the help of artistic images, and it was a part of the Huashan mythology that had a strong ideology.
Third, praise the rebellious legal system and pursue the liberation of personality. This type of story was best represented by the story of " cleaving a mountain to save his mother." It was the spiritual portrayals of people who were not afraid of tyranny and pursued individual liberation under the shackles of orthodox ethics. It was the confrontation between simple democratic ideas and patriarch clan and law constitution. It had a strong rebellious spirit. Its obvious tendency of thinking could best arouse people's emotional resonance.
Fourth, praise the spirit of sacrificing one's life for righteousness. Such stories included "Nüwa mending the sky","The legend of the White Dragon Stream", and "Ming Taoist feeding tigers". It had a heroic tragic color and was a hymn to noble humanity. It also had a certain reference significance for the revolutionary spirit of the times.
Fifth, it explained the traditional morality of rewarding good and punishing evil. Such stories included "Refining River Stone","Yellow Sparrow Flying Ring","Big Bird Running Funeral","Two Immortals of Harmony", etc. It promoted the righteous path in the human world from a traditional perspective. It was a spiritual comfort for good deeds and a whip for evil deeds.
6. Singing of pure love between men and women. This type of story was best represented by the story of " blowing the flute to attract the phoenix." It used love as a link to bridge the barrier between humans and gods. It was a positive affirmation of the value of love in the human world.
7. To warn people of their selfish desires and distracting thoughts. This type of story was best represented by the Heart Returning Stone. It explained the moral principles of a social person with the morality of honesty and faith, and it had an abstract social teaching significance.
8. Reflects people's dissatisfaction with reality and pursuit of ideals. Such stories as "The Legend of Hugong","The Fairy Pillow at Gaopeng Head","Wang Yao's Bamboo Box","Maonv Cave", etc., reflected the social mentality of people at that time who were dissatisfied with the harsh government and sketched out an ideal kingdom for themselves to seek spiritual relief.
In addition, there were some more widely spread stories in Huashan mythology, such as "Zhao Kuangyin sold Huashan" and "Guan Qi Lan Ke". Although these stories did not have obvious ideologies, they had strong legendary colors and spiritual aesthetic factors.
First, every story of the Huashan myth can be found in the Huashan scenic area corresponding to its original biological environment, which makes people recall the scenery and create images from the virtual and real life, thus forming its cultural and natural dependence characteristics.
Second, the content of Huashan mythology is rich. Some advocate righteousness, some give love to others, some punish evil, some save the common people, some borrow metaphor to introduce righteousness, some are tender and sad, some sacrifice their lives for righteousness, and some warn the secular world. It had a variety of subjects, each with its own personality. The combination of hardness and softness, and the complementation of literature and quality, thus constituted the pluralistic characteristics of its theme and style.
Third, many mountain myths were related to historical figures, such as Li Dan, Feng Yi, Bi Yuan, Chen Tuan, Wei Shuqing, Xiao Shi, Zhao Kuangyin, Han Yu, etc. They were both real historical figures and the protagonists of the myths, which added credibility to their illusory plots, allowing people to have a spiritual tour between historical reality and mythical virtual, thus forming the fictional characteristics of historical facts.
Fourth, a Huashan cultural history was a Taoist cultural history. Most of the content was not only about Taoist stories, but also promoted Taoist religious concepts, such as reclusive thoughts, inaction thoughts, abstinence thoughts, etc., thus forming the religious characteristics of its philosophy.
Fifth, many stories in Huashan mythology, such as Kuafu Chasing the Sun, Nuwa Mending the Sky, Watching the Chess Game, Fast Son-in-law Riding the Dragon, Breaking the Stone and Shocking the Sky, and Cutting the Grass and Cutting the Ring, were all well-known historical stories with deep traditional cultural backgrounds, thus forming the classic characteristics of its stories.
Sixth, due to the artistic charm of the Huashan myth and the natural conditions of sharing life with the famous mountains, its cultural influence far exceeded its geographical limitations and spread throughout the country, which constituted the super-regional characteristics of its information transmission.
First, abstract spiritual value. In the Huashan myth, there was a kind of righteous spirit that changed the world and pursued benevolence. It was a kind of national spirit that pursued the lofty and invincible. This intangible spiritual value would have a lasting effect on the present and the future.
Second, romantic aesthetic value. It was manifested in the dangerous and suspenseful plot structure, as well as in the exaggerated personality and the creation of artistic images.
Third, the value of cultural recognition. The Huashan myth had a strong national character from the content to the language of expression. It was a part of the treasure of Chinese traditional classic culture. For the Chinese people in the world, through the appreciation of these stories, it would inevitably arouse the sense of national belonging of the descendants of the Yellow Emperor.
Fourth, moral demonstration value. In the story, the principles of truth, kindness, beauty, faith, benevolence, love, and other behaviors were relatively eternal moral demonstration.
Fifth, the value of literature and history knowledge. The historical stories in the story and the poems and couplets about the cultural landscape in the past dynasties could make people gain knowledge and benefit from the spiritual roaming of the body and mind.
6. Religious and cultural value. The Huashan myths were loaded with the history, doctrine, news and skills of Taoism. The interpretation of Huashan myths could help people gain a comprehensive understanding of Chinese Taoism.
7. The value of tourism resources. Because of the integration of Huashan myths and tourist attractions, it determined its cultural resource value in the development of Huashan tourism industry.
The Huashan myth was an intangible cultural heritage attached to a certain natural landscape. Its spatial existence was reflected in these aspects:
1. Relic sites and relics, such as "Lao Zi's Furrow","Chess Pavilion","Yinfeng Pavilion","Chenxiang's Splitting Mountain", etc.
Second, related artifacts and props, such as the "Laojun Iron Plow" of the North Peak, the "Stone Splitting Axe" of the West Peak, etc.
3. Modern publication, such as Huashan Legends published by Shaanxi People's Fine Arts Press, Huayin Folktales Collection included in Shaanxi Volume of Chinese Folk Literature Collection, Huashan Legends published by Shaanxi People's Fine Arts Press, Huashan Taoism published by Shaanxi Travel Press, etc.
Fourth, the ancient books and records related to the past dynasties. Such as Shan Hai Jing, Yin Jin Yi Han, Zhen Xian Tong Jian, Guang Yi Ji, Liao Zhai, Shu Zhou Guo Zhi, Pai An Jing, Lie Xian Zhuan, Ji Xian Lu, Xuan Guai Lu, Xi Jing Ji, Tang Shu, etc.
Five, Huayin local chronicles.
6. Dramas and films. For example, the Qin opera "Splitting the Mountain to Save the Mother", the Henan opera "Lotus Lamp", the Hunan opera "Zhao Kuangyin Selling Huashan", the TV series "Sleeping Immortal Chen Tuan","Lotus Lamp", the TV cartoon "Lotus Lamp", the dance drama "Blowing the Phoenix" and so on
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