However, when he thought about it, he couldn't remember.
Su Ming thought about it. He must have accidentally seen a similar figure somewhere.
Hence, he stopped being conflicted and continued reading.
But to be honest, this girl named Shu Qingqing had a unique temperament, like a graceful woman who walked out of a landscape painting in Jiangnan.
After that, William Wang began to play the violin in his hand.
After that, it was the first sound of the suona from the folk music department in the opposite dormitory.
Of course, Su Ming already knew about this, but he had only heard the voice at that time.
The video was taken from the ground floor of female dormitory No. 1.
To be honest, when Su Ming saw William Wang kneeling on one knee with his violin in hand, the corners of his mouth curled up.
A white suit, white candles, and white roses. It was hard not to think of funerals and memorial ceremonies in the countryside…
In layman's terms, a memorial ceremony was to visit a grave.
Actually, when Su Ming heard William Wang's violin, he did not blow his suona immediately because he wanted to enjoy William Wang's performance.
Su Ming loved Chinese musical instruments and Chinese music.
But unlike William Wang and many people who studied Western music, they would not belittle Chinese instruments to improve the types of instruments they learned.
Perhaps this was also due to the influence of traditional Chinese culture and ideology.
In fact, China had always respected the culture of other countries. On the contrary, it was the surrounding small countries that frequently pengci and stole China's culture.
In fact, this was also a manifestation of their culture's extreme lack of confidence.
Today, William Wang's performance had a more professional sound system and equipment, so Su Ming could hear his song more clearly.
As mentioned before, the violin's pronunciation principle and performance skills were similar to the erhu in many ways.
Especially the technique of drawing the bow with the right hand, such as continuous bow, split bow, pause bow, continuous pause bow, jump bow, etc. These were all similar to the bow technique of the erhu.
Combined with all of this, William Wang's performance was already considered top-notch among his peers.
Of course, even if Su Ming was only at Level 7, he would still be crushed by this level of performance.
If Su Ming had heard such a performance on the stage or in a violin room where he did not disturb others, he might have appreciated it.
However!
No matter how familiar the performance was, no matter how brilliant the technique was, ignoring the feelings of others and disturbing everyone's rest at any time and place, it could only be noise!
It was even more outrageous to insult Chinese instruments and say that the erhu was trash just because he had such a level.
Su Ming knew what happened after that.
The first sound of the suona came from the opposite dormitory, followed by the second, third, and fourth.
Through Monkey and the rest's explanation, Su Ming found out that there were some boys from the folk music faculty living in the opposite dormitory building.
Although their breathing was not high enough to cover the sound of the violin with the sound amplification system, Su Ming was still touched by the harmony of the folk music.
In Su Ming's hometown, Wushuang Town on the yellow slope.
There was a form of musical instrument performance called the Eight Suona, which was used for funerals.
There are eight palanquins for the happy occasion!
The eight-lift palanquin, as the name implied, was a palanquin carried by eight people.
In the early Qing Dynasty, the emperor, empresses, and concubines rode in luxurious carriages. The prince's sedan chair had a silver crown, a yellow cover, and a red curtain.
Although officials above the third rank could use silver crowns and black curtains, they could be carried by four people in the capital and eight people out of the capital. Those below the fourth grade were only allowed to ride in a small sedan chair with a tin roof and carried by two people.
As for the average landlord, they used black oil to cover their heads and flat black curtains.
And the wedding sedan carried by eight people, the old marriage emphasized on the official marriage, the husband's family sedan to marry, the etiquette was even more grand!
As for the eight suona, it referred to the funeral song performed by eight people.
As for the specific combination of instruments, there were many differences.
However, four suona was a must. The other musical instruments in Su Ming's hometown were an erhu, a sheng, a cymbal, and a drum.
This seemed to have a completely different meaning from the eight palanquins, but in fact, it was not.
If it was said that the bride was sitting in the eight-carried sedan chair, it was the eight sedan bearers who were boosting the momentum of the wedding!
There was a saying among the people that the eight suona were like the eight palanquins in the netherworld. They "lifted" the souls of the dead to give the "dead" a boost of momentum!
This was also the saying of " eight suona to clear the way, even the King of Hell is terrified ".
For the funeral procession in Wushuang Town, the suona in front was like a sedan chair bearer sending the dead to the netherworld!
Therefore, the superstitious saying in the past was that the suona craftsman gave away the dead. That was dealing with the King of Hell and doing business that reduced one's lifespan.
Therefore, the children of the deceased were especially respectful to the suona craftsman.
This was also the reason why Su Ming had said that he would drink alcohol when he played the funeral song to boost the sound of the suona.
These seemingly trivial matters were actually closely related to Chinese culture.
This included the restriction on official positions to take palanquins. This was a system in history.
The legend of the King of Hell was a myth in Huaxia.
The suona was used for weddings and funerals, which was the custom of the Chinese.
The respect that the commoners had for the suona craftsman was a Chinese courtesy.
This was the biggest difference between Chinese folk music and Western music. It was also the biggest reason why Su Ming loved Chinese music.
In fact, these things that could reflect Chinese culture could be found everywhere.
However, many Chinese people, especially young people, knew the truth but did not know the reason.
The things that he usually thought were ordinary or even unremarkable might be the cultures that other countries were trying their best to take for themselves.
Just like how many people felt that eating with a knife and fork was more western and elegant.
However, the chopsticks that you usually use are something that Korea has spent a lot of manpower and resources to possess. It is also a culture that Japan has learned and introduced.
Such examples were everywhere.
Perhaps it was because of this admiration that so many people felt that the air abroad was fragrant and that the people abroad were noble.
However, many people might have forgotten this saying.
He who despises himself must be despised by others.
He who despises himself must be despised by others.
…………
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